‘Mad About You’ Revival: Banter, Bickering, and Boredom
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TV Reviews
Twenty years after the show's finale, Paul and Jamie Buchman return to TV as angsty empty-nesters in a not-so-necessary limited series
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‘The Crown’ Season Three Review: Getting Older Is a Royal Pain
Posted in: TV ReviewsA new cast, including Oscar winner Olivia Colman as Queen Elizabeth II, brings the challenges of middle age (and, for Prince Charles and Princess Anne, adolescence) to life
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‘End of the F***ing World’ Season Two: A Perfect Ending Undone
Posted in: TV ReviewsThe sequel to one of last year's best shows features more strong performances, another cool soundtrack, and a new character. It also dilutes the first season's success.
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‘His Dark Materials’ Review: A Fantasy That Keeps Too Many Secrets
Posted in: TV ReviewsBased on the Phillip Pullman trilogy, the new HBO series leaves much to the imagination
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‘For All Mankind’ Review: Apple Leaps Into NASA Fan Fiction
Posted in: TV ReviewsThis alternate history of the space race has some strong moments, but the drama is too slow to lift off
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‘Dickinson’ Review: A Heroine Out of Time and a Show Out of Whack
Posted in: TV ReviewsHailee Steinfeld is charismatic as the celebrated poet, but new Apple TV+ series is a muddled mashup of modern and period sensibilities
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‘The Morning Show’ Review: Apple TV+ Rises But Doesn’t Shine With Starry New Drama
Posted in: TV ReviewsJennifer Aniston and Reese Witherspoon are great in new streaming service's most high-profile series, but the show — and, so far, the network — doesn't need to exist
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‘Mrs. Fletcher’ Review: Kathryn Hahn Delivers Sexual Healing
Posted in: TV ReviewsAs a single empty-nester experiencing a sexual awakening, the star of this new comedic miniseries satisfies
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‘Catherine the Great’ Review: From Russia, With Love (and Lust)
Posted in: TV ReviewsHelen Mirren is the best thing about this HBO minseries on the rise (and rising libido) of Russia's 18th-century monarch
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‘Watchmen’ Review: A Dazzling Reinvention of a Landmark Comic
Posted in: TV ReviewsDamon Lindelof’s sequel to the Eighties work stays true to its spirit, asking big, difficult questions about today’s world — and the heroes and villains who live in it
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