YACHT “See Mystery Lights” Review
July 1, 2009 – 10:00 am | No Comment

YACHT is about group consciousness. YACHT is about the individual man or woman. If you believe these assertions to be contradictory, consider the Triangle: it is both a collection of points and a shape.” Along with many other of YACHT’s platitudes, so reads this line from YACHT’s mission statement. Some were interesting, while others were banal, but there was one in particular that caught my eye. “YACHT believes in an Afterlife. YACHT does not believe in ‘Heaven,’ or ‘Hell’,” and throughout this album, it shows.

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Home » Music On TV

Fear on SNL and Ian MacKaye

Submitted by Chris DeLine on March 1, 2006 – 5:25 pmNo Comment

Something today made me remember the performance by Fear on Saturday Night Live. Ian MacKaye was there and explained it in a pretty cool interview with Nardwuar. In the interview he talks about the strange phone call he had with Lorne Michaels, what really happened in the mosh pit and getting locked up. Here’s what happened as far as Wikipedia is concerned: “The 1981 Halloween episode aired on October 31st with Donald Pleasence and musical guest FEAR. By personal favor/request from Fear fan John Belushi the band performed because Belushi promised them a spot after they failed to make the final cut (movie studio refusal) as musical composers in his movie 1941. The band proceeded to play offensive music and bussed in “dancers” (many were in well-known East Coast punk acts). The band used obscene language and the dancers destroyed the set with slam dancing on the stage. The end result was Fear were banned from playing and their actual performance was cut short; as they played “Let’s Have a War” the audio and video cut to commercial.” I hadn’t seen this in years, and it’s definitely worth checking out. I love the cheap shots aimed at the New York crowd.

Nardwuar interview with Ian MacKaye (transcribed)

Nardwuar: When Fear played on “Saturday Night Live,” Ian, did you go down to “Saturday Night Live” and check it out in New York with Rollins and the gang?

Ian MacKaye: Rollins was not there. I’ll tell you the story if you’d like to hear the story about that. At eight in the morning, some point in October, I got a call. I was driving a newspaper truck for The Washington Post at the time, so eight in the morning was brutal. It was Lorne Michaels’ office, Lorne Michaels being the producer of “Saturday Night Live,” and I get this woman, “Lorne Michaels’ office, please hold.” I was completely delirious. Lorne Michaels gets on the phone – “Hi, Ian, it’s Lorne Michaels of ‘Saturday Night Live,’ I’m calling you because I got your number from John Belushi. He says that you might be able to get some dancers up here ’cause we want to have Fear on the show.” I was completely baffled by this. “Pardon me?” “Hold on a second.” John Belushi gets on the phone and he says, “This is John Belushi. I’m a big fan of Fear’s. I made a deal with ‘Saturday Night Live’ that I would make a cameo appearance on the show if they’d let Fear play. I got your number from Penelope Spheeris, who did ‘Decline of Western Civilization’ and she said that you guys, Washington DC punk rock kids, know how to dance. I want to get you guys to come up to the show.” It was worked out that we could all arrive at the Rockefeller Center where “Saturday Night Live” was being filmed. The password to get in was “Ian MacKaye.” We went up the day before. The Misfits played with The Necros at the Ukrainian hall, I think, so all of the Detroit people were there, like Tesco Vee and Cory Rusk from the Necros and all the Touch and Go people and a bunch of DC people – 15 to 20 of us came up from DC. Henry was gone. He was living in LA at this point. So we went to the show. During the dress rehearsal, a camera got knocked over. We were dancing and they were very angry with us and said that they were going to not let us do it then Belushi really put his foot down and insisted on it. So, during the actual set itself, they let us come out again. If you watch the show – have you seen it?

N: Yes I have.

IM: If you watch it – during the show – before they go to commercial, they always go to this jack-o-lantern. This carved pumpkin. If you watched it during the song, you’ll see one of our guys, this guy named Bill MacKenzie, coming out holding the pumpkin above his head because he’s just getting ready to smash it. And that’s when they cut it off. They kicked us out and locked us out for two hours. We were locked in a room because they were so angry with us about the behavior. I didn’t think it was that big of deal.

N: They locked you in a room?

IM: Yeah, we were locked in a room. They said they were going to sue us and have us arrested for damages. There was so much hype about that. The New York Post reported half a million dollars worth of damages. It was nothing. It was a plastic clip that got broken. It was a very interesting experience and I realized how completely unnatural it is for a band to be on a television show – particularly a punk band – that kind of has a momentum to suddenly be expected to immediately jump into a song in that type of setting. It was very weird. Largely unpleasant. Made me realize that’s not something I’m interested in doing.

(update from the comments on MBV’s post) – “Great story, but Lorne Michaels left SNL in the summer of 1980, and didn’t come back until 1985. The producer who desperately needed Belushi to be on the show and goose the ratings was Dick Ebersol, now the NBC Sports guy.”

Fear: Wikipedia

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